A suite of four of my School Papers drawings, completed between 2006-2010, will be included in the upcoming exhibition “Informal Relations” at the Indianapolis Museum of Contemporary Art (iMOCA), opening December 3. The exhibition is curated by Indianapolis artist Scott Grow, and features a terrific international group of people.
Press Release follows:
INFORMAL RELATIONS
contemporary abstract works on paper
December 3rd – January 15th
An opening reception will take place December 3rd from 6pm – 10pm
Gallery hours are Thursday – Saturday 11am – 6pm
1043 Virginia Avenue, Suite 5, Indianapolis, IN 46203
www.indymoca.org
The Indianapolis Museum of Contemporary Art (iMOCA) is pleased to announce the group exhibition, Informal Relations curated by Indianapolis-based artist and curator Scott Grow.
Informal Relations presents recent abstract works on paper by a diverse group of international artists, and focuses on the diversity of practices–approaches, styles, and intentions–within painting and abstraction today. The exhibition’s title refers to the kind of “informal relations” artists have with one another, their predecessors, with the modernist tradition, the future, and even with their own work. While works on paper may stand as finished works, they are also often places for exploration, thinking, planning, taking chances, and failure.
Abstract art is challenging because of its concrete and/or metaphoric nature which refuses expected representation, its defiance of language and absolute interpretation, and because it requires the viewer’s engagement and participation. And because abstraction is not a singular school or style, the term itself is not necessarily helpful in identifying the qualities or concepts embodied in the art object: artists often naturally have shared and conflicting objectives for the art they make. Abstraction, which lends itself to various aesthetic, conceptual, and political stances, is broadly multiphasic, utilitarian, and flexible.
Each artist presented here confronts, investigates, and presents a definition of abstract painting true to his or her materials, motifs, and sensibilities. Informal Relations explores the similarities, differences, and connections between these artists, their dialog with abstraction’s history, and various directions forward for abstraction.
This exhibition presents the works of 32 artists from across the United States, Germany, Spain and Japan. Participating artists include: Patrick Alt, Chris Ashley, Patrick Berran, Kadar Brock, Matthew Deleget, Laura Fayer, Keltie Ferris, Patrick Michael Fitzgerald, Connie Goldman, Brent Hallard, Rachel Hayes, Jeffrey Cortland Jones, Michael Just, Matthew Langley, Jim Lee, Rossana Martinez, Rob Nadeau, Melissa Oresky, Paul Pagk, Danielle Riede, Maximillian Rodel, Eric Sall, Susan Scott, Gabriel J. Shuldiner, Jessica Snow, Henning Straßburger, Garth Weiser, Wendy White, Paige Williams, Douglas Witmer, Molly Zuckerman-Hartung and John Zurier.
The exhibit will be accompanied by a fully-illustrated, downloadable catalog.
For further information or reproductions please contact Shauta Marsh (smarsh@indymoca.org) or
Scott Grow (scottgrowstudio@gmail.com).
