
Douglas Witmer was born in 1971 in Winchester, VA and raised in Lancaster County, PA. He has lived and worked in Philadelphia since 1995.
Education
2001 M.F.A., The Pennsylvania Academy of the Fine Arts, Philadelphia
1993 B.A., Goshen College, Indiana
Solo Exhibitions
2011
I Found A Reason, Cornell Fine Arts Museum, Rollins College, Winter Park, FL (catalogue)
Fruitville / The School Papers, AxD Gallery, Philadelphia
Ring the Bells Anew, Blank Space Gallery, New York
Fruitville, Some Walls, Oakland, CA
Field + Stream, Project Room, The Painting Center, New York
Joseph’s Coat, The Philadelphia Cathedral
Joseph’s Coat, Howard Conn Fine Arts Center, Plymouth Congregational Church, Minneapolis, MN
Today is the Day, M55 Art, Long Island City, NY
The Black Keys, and Other Paintings, Gallery Siano, Philadelphia, PA
Contemplation, Red Door Gallery, Richmond, VA
New Paintings, Peng Gallery, Philadelphia
Douglas Witmer, Goshen College, Goshen, IN
Recent Paintings, University City Arts League, Philadelphia.
Recent Paintings, University of Montana―Western, Dillon
Selected Group Exhibitions
2011
Flirting With Abstraction, Woodmere Art Museum, Philadelphia (catalogue)
Painted, Painted, Pressed, C2 Fine Art, St. Petersburg, FL
Faction, University of Dayton
The Life of the World to Come : Chase the Tear, NIAD Art Center, Richmond CA
Streamline, C2 Fine Art, St. Petersburg
It’s All Good (Apocalypse Now!), Sideshow Gallery, Brooklyn, NY
Informal Relations, Indianapolis Museum of Contemporary Art, IN
Escape from New York, The Engine Room, Massey University, Wellington, New Zealand
Invitational Exhibition of Small Works, New Arts Program, Kutztown PA
Ready, Willing, and Able Benefit, Bridgette Mayer Gallery, Philadelphia
Preview 2010, Blank Space Gallery, New York
I Decree Today, Marx Gallery, Covington, KY
Touch Faith, Semantics, Cincinnati, OH
246 Editions, Pocket Utopia, Brooklyn
Back on My Feet Benefit, Bridgette Mayer Gallery, Philadelphia
My Certain Fate, Pharmaka, Los Angeles, CA
Escape from New York, Project Space Spare Room, RMIT University, Melbourne, Australia
Minus Space, P.S.1/MoMA, New York, NY
Reload, M55 Art, Long Island City, NY
Considerable, University of Dayton, OH
Escape from New York, Sydney Non-Objective, Sydney, Australia
Survey, 2007, Gallery Siano, Philadelphia
Across the Borderline, University of Dayton, OH. (2-person, collaborative works with Chris Ashley)
I Walk the Line―Three Abstract Artists in the 21st Century, University of Maryland, College Park
(with Mary Early and Linn Meyers)
Suitcase, Bus-Dori project space, Tokyo, Japan
Pfenninger Gallery, Lancaster, PA
The Urban Canvas, Gallery Siano, Philadelphia
From the Studio, Center for Emerging Visual Artists, Philadelphia.
Repetition and Transformation, The Philadelphia Cathedral
Peng Gallery, Philadelphia. (3-person with Dennis Lo and Leslie Wagner)
New Talent, Signal 66, Washington, DC
White Light, The Beehive Salon, Philadelphia.
From Abstraction to Representation, The College of William & Mary, Williamsburg, VA
3rd Annual Young Painters Competition for the William and Dorothy Yeck Award, Miami University of Ohio, Oxford
Art in City Hall, Philadelphia City Hall, Philadelphia
Related Experience
2011 Thomas P. Johnson Visiting Scholar, Rollins College, Winter Park, FL.
2009 Visiting Artist/Lecture, Goshen College, IN
2007 Lecture, New York Foundation for the Arts, New York City
Visiting Artist/Critic, University of Dayton, OH
2006 Artist-in-Residence/Critic/Lecture, St. Mary’s College of Maryland, St. Mary’s City
2005-present Artist selection committee, 40th Street Artist-in-Residence program, administered by
The University of Pennsylvania
2005 Artist-in-Residence, Sleeping Bear Dunes National Lakeshore / Glen Arbor Art Association Glen Arbor, MI
2002 Visiting Artist/Lecture, Goshen College, IN
2000 Residency Grant, Vermont Studio Center, Johnson
Bibliography
2011
Ashley, Chris, “A Way to Be in the World,” catalogue essay for I Found A Reason, Cornell Fine Arts
Museum, Rollins College, July.
Cognard-Black, Jennifer, “Streamline,” essay for exhibition of the same title, C2 Fine Art, St. Petersburg, July.
D’Alesandro, Dennis, “Douglas Witmer’s Fruitville and School Papers at AxD,” The Artblog, Mar 15.
Young, Jessica Bryce, “Pulp Fictions—Douglas Witmer’s meditative works on wood and paper,” Orlando Weekly,
August 18.
Ashley, Chris, “Fruitville,” essay for exhibition of the same title, Some Walls, Oakland CA.
http://somewalls.com, June
Gierschick, P. Timothy, “Douglas Witmer at Blank Space Gallery,” Gierschickwork,
http://gierschickwork.blogspot.com, March 16
Kirsch, Andrea, “Philadelphia Notes: Contemplative Minimalism” The ArtBlog, http://theartblog.org, February 9
Mattera, Joanne, “Witmer and Patterson at The Painting Center,” Joanne Mattera Art Blog,
http://joannemattera.blogspot.com, June 17
Hallard, Brent, “How Soon is Now?,” interview, Visual Discrepancies blog, http://brenthallard.wordpress.com,
December 5
Collaizi, Vittorio, “A Vigilant Turn from Complacency,” Brick Weekly, Richmond VA, January 11.
Koo, Li, “Gallery Notes: I Walk the Line,” podcast interview, University of Maryland, March.
Newhall, Edith, “Summery Summary,” The Philadelphia Inquirer,” August 3
Wagner, Laura, “‘Art Pals’ Feature Works in Rike,” Dayton Flyer News, January 19
Strickland, Heather, “Eclecticism on Display at Red Door Gallery, The Collegian, University of Richmond, Dec 7
Ashley, Chris, “In Conversation with Douglas Witmer,” Minus Space, Brooklyn, NY. December.
Hallard, Brent, “X Marks the Spot,” Project 131 (on-line), July 2005. www.brenthallard.com
Hill, Lori, “First Friday Focus: Gallery Siano,” Philadelphia City Paper, Thursday, October 6.
Holzman, Paula, “Two Takes on the Abstract,” Lancaster Intelligencer Journal, October 21
Romaniello, Vincent, “Douglas Witmer,” on-line video documentary, www.vincentromaniello.com/vlog, winter Silverthorne, Alexandra, “Artists Interview Artists,” Thinking About Art (on-line), August.
www.thinkingaboutart.blogs.com
Doering, Elizabeth H., “Repetition and Transformation,” essay for exhibition of the same title,
The Philadelphia Cathedral, January
Fallon, Roberta, “A-List: Repetition and Transformation,” Philadelphia Weekly,” January 21
Hill, Lori, “First Friday Focus: Peng Gallery,” Philadelphia City Paper, Thursday, April 4
Patterson, Carrie, “From Abstraction to Representation,” exhibition catalogue essay for exhibition of the
same title, Andrews Gallery, The College of William and Mary, Williamsburg, November
Walz, Jonathan F., “Reality Check,” exhibition brochure essay, Peng Gallery, Philadelphia, PA, April.
Knapp, Tom, “Uncommon Ground,” Lancaster Intelligencer Journal, August 3
Collections
The Woodmere Art Museum, Philadelphia
The Fellowship of the Pennsylvania Academy of the Fine Arts, Philadelphia
Duane Morris, LLP, Philadelphia, New York, Baltimore, Atlanta, Lake Tahoe, San Diego, Singapore,
Ho Chi Minh City
Wolf, Block, Schorr, and Solis-Cohen, LLP, Philadelphia
NanoSystems, King of Prussia, PA
Private collections in the United States, Europe, and Asia.
Affiliations
Blank Space Art, Chelsea, NYC – blankspaceart.com
Minus Space, Brooklyn, NY – minusspace.com
C2 Fine Art, St. Petersburg, FL – c2fineart.com